120 × 100 cm on Canvas (4 cm depth)
Created using appropriated street posters, movie posters, magazine fragments, spray paint, marker and halftone portrait layers.
The surface has been built and torn back repeatedly, Layers are built, torn back and reworked over time, embedding detail within the surface.
The dripping crown marks earned cultural status in graffiti tradition, it’s about influence, not fame.
Debbie Harry didn’t fit into one box.
She made punk look glamorous and glamour look dangerous.
She didn’t follow style - she became the reference.
This piece carries that same attitude.
Bold image. Rough texture. Real presence.
Look closer and you’ll find fragments connected to Blondie, the New York scene, the era and the energy that came with it. Some are obvious. Others reveal themselves slowly, the longer you live with it.
This is punk attitude with glamour at the same time - the balance she owned.
120 × 100 cm on Canvas (4 cm depth)
Created using appropriated street posters, movie posters, magazine fragments, spray paint, marker and halftone portrait layers.
The surface has been built and torn back repeatedly, Layers are built, torn back and reworked over time, embedding detail within the surface.
The dripping crown marks earned cultural status in graffiti tradition, it’s about influence, not fame.
Debbie Harry didn’t fit into one box.
She made punk look glamorous and glamour look dangerous.
She didn’t follow style - she became the reference.
This piece carries that same attitude.
Bold image. Rough texture. Real presence.
Look closer and you’ll find fragments connected to Blondie, the New York scene, the era and the energy that came with it. Some are obvious. Others reveal themselves slowly, the longer you live with it.
This is punk attitude with glamour at the same time - the balance she owned.
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