104×145×cm
Original Mixed Media on Wood Panel with Vintage Gold Frame (11 cm deep)
Pink Neon Text
Bible Pages, Gold Leaf, Appropriated Posters, Spray Paint, Marker
This piece is about authorship, who writes the story, and who benefits from it.
The surface is built from ripped Bible pages showing passages that are rarely spoken aloud.
The parts that get avoided.
The parts that change the tone completely once you actually read them.
The neon text - “In The Beginning Man Made God” - isn’t decoration.
It’s the statement.
The figures and composition reference traditional religious painting, framed in an ornate gold gilt frame, the kind usually used to present authority, legacy and “truth.”
But inside the frame: conflict, contradiction, and human fingerprints. Not perfection.
The robes are painted in a modern, non-historical palette.
That’s intentional.
Belief systems are shaped by the people who hold them, they aren’t fixed, eternal, or untouched.
This piece isn’t anti-faith.
It’s anti-blind acceptance.
It asks:
Who decided what is sacred?
Who decided what is moral?
Who benefits when belief isn’t questioned?
Like all my work, meaning is layered:
Some things you see instantly.
Others reveal themselves slowly over time.
This is not a quiet artwork.
It starts conversations.
Or it draws a line.
104×145×cm
Original Mixed Media on Wood Panel with Vintage Gold Frame (11 cm deep)
Pink Neon Text
Bible Pages, Gold Leaf, Appropriated Posters, Spray Paint, Marker
This piece is about authorship, who writes the story, and who benefits from it.
The surface is built from ripped Bible pages showing passages that are rarely spoken aloud.
The parts that get avoided.
The parts that change the tone completely once you actually read them.
The neon text - “In The Beginning Man Made God” - isn’t decoration.
It’s the statement.
The figures and composition reference traditional religious painting, framed in an ornate gold gilt frame, the kind usually used to present authority, legacy and “truth.”
But inside the frame: conflict, contradiction, and human fingerprints. Not perfection.
The robes are painted in a modern, non-historical palette.
That’s intentional.
Belief systems are shaped by the people who hold them, they aren’t fixed, eternal, or untouched.
This piece isn’t anti-faith.
It’s anti-blind acceptance.
It asks:
Who decided what is sacred?
Who decided what is moral?
Who benefits when belief isn’t questioned?
Like all my work, meaning is layered:
Some things you see instantly.
Others reveal themselves slowly over time.
This is not a quiet artwork.
It starts conversations.
Or it draws a line.
